Vangeline Theater/ New York Butoh Institute presents an excerpt from The Slowest Wave at WADEintoACTIVISM Opening Night
Vangeline Theater/ New York Butoh Institute presents an excerpt from ETERNITY 123, as part of WADEintoACTIVISM’s opening night on Friday, November 25, 2022 at 6:30pm & 8:30pm, followed by an artists reception, at Arts on Site, 12 St. Mark’s Place, NYC. WADEintoACTIVISM is a 16-day hybrid performing arts festival presenting work by female and historically underrepresented artists and conversations with feminist allies surrounding gender-based violence. Additional performers include Geri Brown, Ananya Chatterjea, Ai Isshiki, Limón 2, and Rosy Anoush Svazlian. Tickets are $30. To purchase tickets or for more information, visit https://www.artsonsite.org/events-1/wade-dance-inc-2.
Eternity 123 is the third installment of a feminist dance triptych choreographed and performed by Vangeline (Elsewhere–2018, Erasure–2019, and Eternity 123).
Eternity 123 traces the symbolic journey of women’s emancipation across time. With this piece, Vangeline also celebrates the impact of women on the art form butoh, exploring the link between women, butoh, and “cabaret.”
‘In the 70s and 80s, women butoh dancers danced in “cabarets” to make a living in Tokyo”, says Vangeline. “This history has led to unique methods and contributions by women in our field–contributions that have typically been overlooked. In the 1990s, I also made a living in New York as a go go/burlesque/vaudeville dancer. In this piece, I celebrate women trailblazers while playfully exploring these layers of history.”
Behind all significant cultural movements and changes in history, the lives of countless women can be found, as well as countless voices that have been silenced. As we challenge our collective memory by telling their stories, we redefine the importance of women’s participation in society.
For more information about Vangeline and her work, visit vangeline.com.
Vangeline is a teacher, dancer, and choreographer specializing in Japanese butoh. She is the artistic director of the Vangeline Theater/New York Butoh Institute (New York), a dance company firmly rooted in the tradition of Japanese butoh while carrying it into the twenty-first century.
With her all-female dance company, Vangeline’s socially conscious performances tie together butoh and activism. Vangeline is the founder of the New York Butoh Institute Festival, which elevates the visibility of women in butoh, and the Queer Butoh festival. She pioneered the award-winning, 15-year running program The Dream a Dream Project, which brings butoh dance to incarcerated men and women at correctional facilities across New York State. Her choreographed work has been performed in Chile, Hong Kong, Germany, Denmark, France, the UK, Hong Kong, and Taiwan.
She is the recipient of the 2022/23 Gibney Dance in Process Artist Residency; the winner of a 2022 National Endowment for the Arts Dance Award; the 2015 Gibney Dance Social Action Award, as well as the 2019 Janet Arnold Award from the Society of Antiquaries of London. She is also is a 2018 NYFA/NYSCA Artist Fellow in Choreography for Elsewhere.
Vangeline has taught at Cornell University, New York University, Brooklyn College, CUNY, Sarah Lawrence, and Princeton University (Princeton Atelier). Film projects include a starring role alongside actors James Franco and Winona Ryder in the feature film by director Jay Anania, ‘The Letter” (2012-Lionsgate). In recent years, she has been commissioned by triple Grammy Award-winning artists Esperanza Spalding, Skrillex, and David J. (Bauhaus). She is the author of the critically-acclaimed book: Butoh: Cradling Empty Space. Her work is the subject of CNN’s “Great Big Story” “Learning to Dance with your Demons.” She is also featured on BBC’s podcast Deeply Human with host Dessa (episode 2 of 12 : Why We Dance) and is a member of the International Association for Dance Medicine and Science. www.vangeline.com
VANGELINE THEATER/ NEW YORK BUTOH INSTITUTE aims to preserve the legacy and integrity of Japanese Butoh while carrying the art form well into the future. The unique art of Butoh originated in post-World War II Japan as a reaction to the loss of identity caused by the westernization of Japanese culture, as well as a realization that ancient Japanese performing traditions no longer spoke to a contemporary audience. The Vangeline Theater is home to the New York Butoh Institute, dedicated to the advancement of Butoh in the 21st century.
Ray Sweeten (composer) aka Barragan-Sweeten (b. 1975) is a visual artist & sound maker based in New York and Rhode Island. He has performed and screened works at Moma/PS1, San Francisco Electronic Music Festival, New York Film Festival, Anthology Film Archive, Issue Project Room, Participant Gallery, Microscope Gallery, The Kitchen, Roulette, and toured throughout Europe as a member of Fabrica Musica. He has released music as f13 on Beige Records, and as The Mitgang Audio on Suction Records. In 2010 he co-founded DataSpaceTime with visual artist Lisa Gwilliam and has exhibited, performed and screened works at Centre Pompidou, Parish Museum, City Center NY, Microscope Gallery, AS220, Next Festival at BAM, Florida Atlantic University, Cica Museum. He has taught at Guggenheim Museum and was guest artist faculty at Sarah Lawrence with L. Gwilliam. DataSpaceTime is represented by Microscope Gallery in NYC.